in the fundamental areas, and the Group’s Chair Baroness Floella Benjamin has been highlighting these since then:Tabled by Parliamentary Under Secretary of State for Schools, Lord Nash, in brief, these amendments will:
-Replace the complex restrictions on the hours children can perform at different ages, which were different for theatre and broadcast, with a simpler, single set of limits subject to age group (0-4, 5-10, 11-16).
-Repeal the limit on the nature of the daily performances that a child can be licensed to take part in.
-Remove the requirement for medical certificates. These could still be requested by the local authority if, for example, there was cause for concern about a child’s health, but would not be a requirement.
Wishing everyone a Very Merry Christmas
And celebrate their other qualities instead. Like their kindness, courage, tenacity, empathy, sense of justice, compassion, generosity, ability to love and be loved.
They may in fact be damn ugly physically and what’s wrong with that? Who’s to say what is beautiful? We are doing our children a grave disservice when our affirmations focus on their external appearance. Of course they’re beautiful to us, because we love them. But we don’t love them because they’re beautiful. But do they know that?
What do they hear, what do they learn, when with the best intentions we crow and brag about our ‘beautiful’ daughters, on Facebook, on Twitter and to our friends?
I recently heard Dr Dafna Lemish talk about Girl Power, and I have to agree that Girl Power has empowered our daughters in two ways only: sexual power and consumer power. So after all this time, after all that the women’s movement has tried to do, daughters and mothers alike still unwittingly define and value themselves and each other according to whether they’re attractive, can pull, and stick their tits out. And as consumers, we’ve grown demanding – ‘make it in pink and we’ll buy it’. ‘Born to Shop’? Oh please. No wonder women are still not taken seriously.
The Children’s Media Foundation has an event this coming Wednesday to discuss role models, representation and gender skew. If you can go to it, do. And let’s celebrate and affirm our daughters and our sons as wonderful human beings who can change the world because of who they are, not what they look like.
I liked it.
I liked having all my travel arrangements made for me.
He could have tried to look pleased to see me.
I liked getting caught up in a motorcade with blue lights flashing and outriders. An excellent way to get through Istanbul traffic as long as the the driver pulls back when the outriders start getting twitchy.
Useful I suppose if you run out of paper.
I liked five star accommodation.
I liked my Turkish Bath.
But who takes calls on the loo? I hope I’m never that esteemed.
And if you’ll forgive the unfortunate juxtaposition here, I liked delivering my paper. If I wasn’t already full enough of my own self importance, they gave me two TWO interpreters: one into Turkish and the other Sign Language.
My auditorium before everyone arrived. If only I could flik-flak down this aisle.
And published my speech in a REAL BOOK OF CLEVER THINGS BY CLEVER PEOPLE.
AND I very much liked getting caught up in the Deputy Prime Minister’s procession when we all went to dinner. Top Tip: secret service people are not very secret and they don’t make good dinner conversation.
Turkish Deputy Prime Minister Bulent Arinc with Esteemed Experts.
Another top tip: if you mention politics to a politician, be prepared for facial expressions that can only be described as ‘inscrutable’. Try as I might, I couldn’t scrute the Deputy Prime Minister. I later learned I’d been mentioned in despatches and in a good way, but you’d never have scruted that at the time.
YOU WILL NEED:
WHAT YOU DO:
There’s a big boiled egg
Sitting in the Quiet Carriage.
And he’s loud and he’s rude
And in a very bad mood;
For this train is going to Bristol
And he wants to go to Harwich.
So he shouts and has a moan
To his friend on his phone,
And forgets he’s not alone,
Sitting in the Quiet Carriage.
“Shush and hush,”
Whispers the friendly guard.
But the boiled egg is hard
And intimidates the guard.
So politely we all make
A stand, in the Quiet Carriage,
Till he cracks and backtracks;
‘Cause he’s really soft and runny.
And it’s very very funny
When a big boiled egg
Who wants to go to Harwich,
Gets on the wrong train
And sits in the quiet carriage.
15.3.13
A Warning to Little Shrews
Winston the cat
Is big, black and fat.
But his mew is so cute,
You’d never guess he’s a brute
Who likes to kill rats
And other tom cats.
He curls on the chair
With a warm sleepy stare.
But when you think he’s at rest,
He’s at his cruel, vicious best.
So little shrew beware:
Winston knows that you’re there.
He’s watching you peep
And feel safe and then creep
To the fridg- Bam! goes his paw
As he strikes with his claw
And sinks his teeth deep
And eats even your squeap!
Please note: ‘Squeap’ is the sound a shrew makes as it disappears in one big gollop into a big black fat cat. There’s no time for squealing and or squeaking – the k gets swallowed. Trust me.
Very pleased to see the artwork and my blurb for the DVD for Ajani’s Great Ape Adventures. This was such a great project to work on.
Supported by a whole host of international conservation charities, the three films that make up Ajani’s Great Ape Adventures are designed to teach young people across Africa about our close relatives the apes and how important it is to keep them and their habitat safe: not just for the apes but for the young people and their real families too. With poverty so often the consequence as well as the cause of habitat loss and species extinction, it is vital that solutions that benefit people as well as animals are found.
That all sounds far too heavy to put on a young one’s shoulders. But these stories, like any good educational tool, are fun and exciting with a feel good factor that will encourage rather than condemn. And they offer simple, practical and doable solutions that will help, not hinder local people to thrive.
I was brought in to work on the narration. Originating with Dutch filmmakers, the English version needed colloquializing so that it felt more in keeping with the characters. It was great fun and because I was working off of the rough cuts rather than the script, it was perhaps more akin to editing than writing. I loved watching the children’s performances and the footage of the chimps and gorillas is wonderful. And there is a poop fight. Of which I wholeheartedly approve.
I wish the Dutch makers of the films, Nature for Kids, every success with this project and hope I can work with them again in the future.
Which means more time to put the Christ back into Christmas. And drink the whisky left by the hearth.
So may your Christmas be full of love, joy and peace. And don’t let Santa Claus eat all the pies.
For the first time in several years, the world of children’s media have things to celebrate this Christmas.
– The Animation and Games tax relief which will help our production sector compete with the rest of the world and ensure more home grown content for our children.
– Ofcom and the ASA’s swift implementation of the Bailey review’s recommendations, which will help put the brakes on the sexualisation and commercialisation of our children
– www.parentport.org.uk, which offers parents one-stop access to all the UK’s media regulators.
However, there are still many challenges in 2013, especially for Children’s theatre, fine arts, music and dance which have been endangered by changes in Education and cuts to public arts funding.
So whether you and your family settle down to watch the BBC’s Christmas Doctor Who, or C4’s The Snowman and The Snowdog, or watch a performance of The Nutcracker, or your local pantomime, please remember that Children’s Arts and Media are not just for Christmas….
With all good wishes for a peaceful and prosperous New Year,
Me.